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About The Author
David Fagin

David Fagin is a musician, songwriter, producer, and artist-rights advocate best known as the founder, lead singer, and principal songwriter of the power-pop band The Rosenbergs.

The band became a case study in artist leverage in 2000, when Fagin publicly refused a slot on Universal-affiliated Farmclub over a 23-page, six-album contract that would have handed the label the band's website and publishing in exchange for roughly two minutes of airtime (
Billboard). His refusal circulated widely and drew coverage in Wired and the Denver Post. The Rosenbergs instead signed with Robert Fripp's Discipline Global Mobile on a revenue-share deal that let the band retain its own masters, releasing Mission: You in 2001, and partnered with Napster on tour promotion.

Fagin carried that argument into policy. He was an officially listed witness in the U.S. Copyright Office's Digital Performance Rights CARP proceeding in Washington in 2001 (
Federal Register) and served on the "New Models" panel at the Future of Music Coalition Policy Summit at Georgetown University in January 2002 (Georgetown Music Policy Forum archives). He argued the case in print as well, in a signed Billboard opinion piece calling for a return to real artist development over litigation (Billboard, Nov. 20, 2004).

His song "Birds of a Feather" was used as the theme to the CBS sitcom Accidentally on Purpose (
IMDb). He has shared bills with Echo & the Bunnymen, Duran Duran, Alex Chilton, Supergrass, and Todd Rundgren, and is the creator and executive producer of the TV project Rock in a Hard Place (IMDb).
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Check Out My Latest Best Selling Book:
Confessions of a Musical Masochist

Hot off the press – check out my newest book. Available online and in select bookstores.

Confessions of a Musical Masochist is David Fagin's memoir of a life spent chasing a career in music while nearly everyone around him suggested he was wasting his time. Fagin — frontman of The Rosenbergs, arguably the first band credited with going viral — traces an arc that runs from touring with national acts and signing with British rock royalty to sleeping on floors, playing to empty rooms, surviving catastrophic tours, and reinventing himself in tribute bands, with detours through work alongside The Muppets, Neil Diamond, and Sheryl Crow. The result pulls back the curtain on the music business to show what life actually looks like for the "almost famous": the outrageous road stories and industry absurdities, but also the emotional and financial toll of refusing to quit something that rarely pays the bills. Threaded through the comedy is a quieter story about family, loss, friendship, and resilience — about learning that success seldom arrives in the shape you pictured. Part rock-and-roll memoir, part cautionary tale, and part love letter to anyone who has stubbornly pursued an impossible dream, it is ultimately a portrait of an artist pathologically incapable of walking away from the thing he loves most, whatever the cost.
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